1. |
Portrait of Rust
10:09
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2. |
Mirrors of Flesh
08:28
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3. |
Pendulum of Doubt
10:44
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4. |
Triangle of Lies
16:35
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5. |
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6. |
Plânge glia de Dorul meu
17:54
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7. |
The Embrace of Earth
10:16
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DGRecords Michigan
Independant record label. Black metal, Doom, Drone, Sludge, Punk, and everything in between. #DGRecords #domesticgenocide #DuroGestaRecords
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supported by 16 fans who also own “The Bearer of All Storms”
This was truly a revelation. I was getting started with funeral doom, working on something with my headphones on... Then came Déluge... my jaw actually dropped, I stopped what I was doing and, wide-eyed, just listened to the track, baffled and amazed. After the album was over (I never do this), I went to lay down with my headphones to enjoy it over again. I rarely heard (and felt) this much power and emotion in an album. Until I find something better, this is my landmark for peak funeral doom.
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supported by 15 fans who also own “The Bearer of All Storms”
Very bad business practice. Incomplete delivery. Lies and insults via email
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Leaden Light
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supported by 14 fans who also own “The Bearer of All Storms”
Atmospheric Doom / Death Metal from Australia. Proper Doom has the power to bring out your emotions & your sadness and forces you to process it so that you come out the other side feeling temporarily better. This is proper Doom Metal, at least for me, it does all those things... :) Love every song! Highly recommended!!!
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The experimental producer applies her ambient techniques to what is essentially a singer-songwriter record.
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Killer, knotty blackened prog from Norway, full of ferocity and complexity, with blistering guitar leads aplenty.
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Combining live drumming with synthesis and guitar, the latest from Kelpe is beautiful mood music.
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Life has gone on long enough
by NONE
supported by 14 fans who also own “The Bearer of All Storms”
On ne frappe pas un homme à terre : c'est ce que dit la règle mais NONE a déjà prouvé qu'il ne les suivait pas et si son album éponyme retirait toute perspective de béatitude spirituelle, Life has gone on long enough, son deuxième opus, nous interdit l'accès au bonheur terrestre. La vie n'a aucune substance et la production plus distante le confirme. Le DSBM s'empare de textures sonores blues, mettant en relief une dépression urbaine. Les cris partent en fumées : ne restent que les pleurs...
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